Ngarram
Purra and Buckley’s Chance
Based on a true story from Mrs Mary Clarke, 1979, Framlingham Mission.
Genre: Period Drama, MA 15+
Scripted (Pre-Production)
Story-Line: In 1800s Australia, a British convict on the run and an Indigenous woman fall in love, but as gunslinging settlers encroach to grab the land, their lives are torn apart in a silent war of survival.
PROGRESS
Overview
Magic Lands: Ngarram is a First Nations–partnered period drama feature film designed as a catalyst for permanent cultural infrastructure, Indigenous-led tourism, and education on Country. Unlike conventional screen projects, the film generates long-lasting cultural and educational assets, delivering cultural, social, environmental and financial outcomes long after production.
Below is a video of collaborators, Uncle Reg Abrahams and filmmaker, James Vegter, speaking about the project.
The Project
Ngarram is based on a true story, a historically grounded feature film set in the early 1800s in southern Victoria, before, during and after colonisation. It’s developed with Traditional Owners, First Nations Communities, Indigenous artists, knowledge holders and international actors and filmmakers. Cultural permission, oral stories, books, journals, academic theses, and truth-telling have led the research process.
The Opportunity
Across Victoria and Australia, demand for authentic Indigenous-led cultural experiences, truth-telling education and ethical heritage tourism is rapidly increasing. However, there is a significant shortage of permanent, place-based cultural infrastructure capable of delivering this at scale.
Magic Lands: Ngarram addresses this gap by using screen production to finance and construct enduring cultural assets, ensuring that investment results in lasting community value, not temporary sets.
Ngarram: Meaning and Cultural Background
Across south-eastern Australia, the sky is understood as a living realm of lore, creation, lore and ancestral presence. Among several Indigenous nations and language groups, Ngarram (with related variants such as Ngarrang, Ngarran, Ngarram-djarr) refers to the Sky Realm or Sky Spirit — the domain that oversees cosmic balance, moral order, weather, seasons and the cycles of life.
This is deeply aligned with the cosmologies of the Wadawurrung and the broader Kulin Nations, in which:
· Bunjil (the wedge-tailed eagle) is the creator, lore-giver and protector of balance, dwelling in the Sky Realm.
· Waa (the crow) is the messenger, cultural guide and watcher, moving between sky and earth.
Both operate within Ngarram, the higher world that holds Lore, Spirit, Order and the rhythms of Country.
Ngarram is not mythology—it is a knowledge system, connecting Land, Sky, Lore, Spirit and People through ceremony, observation and oral history.
The Project Will Deliver
· Permanent cultural infrastructure built for screen authenticity and retained for community, educational and sponsor use.
· Indigenous-led heritage tourism sites, including interpretive landscapes, guided cultural experiences, place names, culture and history information and visitor structures.
· Education infrastructure: curriculum resources for childcare, primary school, high school and university learning programs, and research articles that are Harvard-referenced on history, science and Indigenous culture.
· Employment, training and enterprise pathways that operate through construction, filming and beyond.
Screen production functions as the engine that finances, builds and activates these long-term assets.
Impact & Legacy
Indigenous & Cultural Outcomes
· Indigenous governance is embedded at all levels.
· Cultural authority, consent and IP of Traditional Owners and Communities.
· Intergenerational knowledge is safeguarded and recorded.
· Sustainable Indigenous employment and enterprise development across Victoria.
Education & Social Outcomes
· Curriculum-aligned resources.
· On-Country learning programs.
· Increased public understanding of history, culture and Country.
Environmental Outcomes
· Land use guided by Indigenous ecological knowledge.
· Site rehabilitation and stewardship.
· Stronger connection between landscape, story and community identity.
Progress & Achievements
Six years of research and screenplay development completed, backed by over 160 MLA Educational Articles exploring Victoria’s First Peoples, history, and science.
Cultural permissions and partnerships established with Wadawurrung and other First Nations communities.
Pre-production underway: financing, casting, and the design of authentic Indigenous huts and set infrastructure with Traditional Owner collaboration.
Production and post-production to follow, with cultural assets gifted back to communities and sponsors for education, culture, and tourism.
Global distribution and legacy: the film will be released internationally and licensed to education departments, supported by MLA’s digital learning series.
Why Invest or Partner
This project represents a unique opportunity to be part of a landmark Australian story that unites film, education, and cultural impact. Partners and sponsors will be recognised in international distribution, education licensing, and on-ground community outcomes — a long-term legacy that blends social, educational, and economic return.
Why Now?
· National momentum around truth-telling and First Peoples’ history.
· Rising demand for Indigenous and historical education and tourism.
· Infrastructure built once delivers multigenerational benefits.
· Unique opportunity to combine screen, culture, communities, land and legacy.
Magic Lands: Ngarram is not just a film —it’s restoring future knowledge for all to work and live together respectfully on Country.
Historical and Cultural Significance
The film is a true depiction of different points of view, both Indigenous and Settlers, meticulously developed, researched, and interviewed over nine years with the permission/ consent and collaboration of First Nations communities across Victoria and Tasmania. It aims to be an authentic portrayal of history which will help create further social and moral awareness of Australian and First Nations history and culture.
Further Information: "MagicLands" is a captivating period drama based on a true events and characters set in the wilds of early 1800s Southern Australia that explores the bloodline of Purra, a gifted Wadawurrung musician and resistance fighter, and Buckley, an escaped British convict who lived among the Wadawurrung People for 32 years before colonisers arrived to seize land and create the settlements of Geelong and Melbourne, then later State Of Victoria.
Buckleys pamphlet, Hobart 1852.
Melbourne’s naming, 1837.
MAIN and SUPPORT CHARACTERS
Currently casting in 2025
Buckley, William (1780-1856), Convict, Wadawurrung Elder, Interpreter for the Batman Family and Commander of the Natives for British Government when settlements of Geelong and Melbourne were built.
Purra (Purranmurnin) Tallawurnin (1803-1869), Wadawurrung Resistance Fighter and Elder from the Buninyong People near Ballarat. A musician and healer who survived up until 1869, found in a journal at Framingham Mission.
Fanny, Daughter of William Buckley and Purranmuring Tullawurnin (Unknown birth and death), Wadawurrung Resistance Fighter, Recorded in Untold Stories, Jan Pritcher
John Pascoe Fawkner ( 1792-1869), First Settler at Melbourne, Publican, Businessman and Politician of early Melbourne. Antagonist of Buckley and Purra.
Henry Batman (1803-1839), Brother of John Batman, Mass-Murderer. First Policeman and Land Commissioner of Melbourne.
John Batman (1801-1839), Grazier and British bounty hunter from Van Diemen’s Land. Instigator of the Port Phillip Association and Land Treaty where his organisation stole land early in Western Victoria before British Government arrived.
Caroline Newcomb (1812- 1874), Governess of the Batman children. A religious and lover of Anne Drysdale (1792-1853) in early Geelong, managing a 10,000-acre squatter run.
Nannymoon (unknown birth and death), Wadawurrung Resistance Fighter, Antagonist to Buckley and Purra
Murrindanuck (1799 to 1840s), Murrangurk’s grandson, Wadawurrung Resistance Fighter from the Monmart People. Grew up with Buckley when he was taken in as family by the Monmart People, Murrangurks clan.
Warrora (Pigeon), From Shoalhaven, New South Wales, Pigeon was employed by John Batman in 1829. He was part of the Black Wars in Van Diemens Land and the Batman Treaty with Wurundjeri Elders.
Elizabeth Callaghan/Batman (1802-1852), Escaped convict, Wife of John Batman who had five different names, eight children all by early 30s.
INDIGENOUS COMMUNITIES and LANGUAGES
Victoria/ Australia: Wathaurong/ Wadawurrung, Eastern Maar, Wurundjeri Woi Wurrung, Boon Wurrung, Eastern Maar, Gunditjmara, Yorta Yorta, Dja Dja Wurrung, and Taungurung.
English in British, Scottish, Irish, and European accents.
Wilmot Abraham, Buckley and Purra’s Grandson, Postcard, Warrnambool, 1910
Uncle Gavin Couzens Painting
Art Direction of Fanny, Buckley and Purra’s daughter.
White Settlers arriving in 1835 for the land grab.
The Calcutta Ship, 1803. Convicts arriving, Story Board
CREATIVE TEAM - 2025
- James Vegter: Creator, Writer, Director, Executive Producer
https://www.imdb.com/name/nm3012068/
- Uncle Trevor (Reg) Abrahams: Creator, Executive Producer, and Senior Indigenous
Culture and Heritage Advisor. 42-Year Wathaurong Community Member.
https://www.imdb.com/name/nm11410933/
- Uncle Glenn Shea, Producer, Story and Script Advisor
https://www.imdb.com/name/nm3411498/
- Kerry Armstrong: Executive Producer. 50 years experience in the entertainment industry
https://www.imdb.com/name/nm0035788/
- Nick Farnell, Associate Producer
https://www.imdb.com/name/nm1218575/
- Jordan Fraser Trumble - Associate Producer
https://www.imdb.com/name/nm3968992/
- Amos Roach, First Nations Dance and Music Composer, Dance Choreographer, Actor.
- John Baird, Horse Wrangler, 50+ Years Experience
https://www.imdb.com/name/nm0047884/
- Anthony Littlechild - Director of Cinematography and Camera Equipment
https://www.imdb.com/name/nm1566088/
FIRST NATIONS ADVISORS and CONSULTANTS
Uncle Reg Abrahams – Gunditjmara – Wadawurrung/ Wathaurong Traditional Owner – Boon-wurrung, Yorta Yorta – Palawa – Senior Heritage Culture Advisor
Uncle Gav Couzens (Wadawurrung/Wathaurong Traditional Owner, Permission and supported by in 2019)
Uncle Glenn Shea – Wathaurong Theatre/Film and Story Advisor/ Stolen Generation Respected Elder – Associate Producer
Aunty Vicki Couzens – Gunditjmara – Eastern Maar – Language and Costume Advisor
Jordy Edwards - Wadawurrung Traditional Owner - Dance, Language Advisor and Actor
Aunty Lisa Couzens – Gunditjmara – Eastern Maar – Education- Woman Culture Consultant and Costumer Advisor
Aunty Vicki Abrahams – Gunditjmara – Eastern Maar - Palawa – Yorta Yorta
Aunty Faye Clark – Framlingham Mission – Gunditjmara, Palawa
Jason Briggs – BoonwurrungTraditional Owner – Yorta Yorta, Palawa – Boonwurrung and Legal Advisor
John Clarke – Eastern Maar Traditional Owner – Gunditjmara – Culture and History Advisor
Amos Roach and Family – Gunditjmara Bundjalung, Yorta Yorta - Musician, Actor, Dance Choreographer
Judy Dalton-Walsh - Wadawurrung Traditional Owner, Senior Language Advisor
Brett Clarke – Gunditjmara – Musician- Props- and Artist.
Carissa Nyalu – Dja Dja Wurrung, Yorta Yorta – Musician- Songwriter – Cultural Teacher For Employees and Sole Traders for Production.
Perina Drummond - Torres Strait Islands – Costume and Set Design Consultant.
Sandy Greenwood - Bundjalung, Gumbayngrrii[DA1] - Dunghutti –New South Wales First Nations Consultant and Actor
Grant Hansen – Tuangurung Traditional Owner – Elder and Musician Consultant
Barry Gilson – Wadawurrung Traditional Owner – Actor- Musician - Songwriter
Layton Barker – Gunditjmara – Wurundjeri Culture Heritage Consultant
Andrew Clark – Gunditjmara – Artifacts, props, set builds and weapons consultant.
Alfie Oram – Wathaurong Respected Community Member – Actor and Production Manager
Dooley Lovegrove Mac – South Australian First Nations Consultant
Uncle Robert Lowe – Gunditjmara – Elder Consultant
Kathy Harrison - Gurnai Kurnai, Wathaurong Community Member, Woman Culture Advisor
Steve Parker - Boonwurrung Traditional Owner and Artist

